I am a writer, journalist, and filmmaker, currently serving as an entertainment and culture reporter for Fox News and SiriusXM Radio. My career began at San Diego State University, where I split my time between flying planes and covering traffic from above. After a near-fatal crash grounded me, I returned home to Philadelphia and launched my reporting career and worked within the extraordinary broadcast institutions of CBS, NPR, and NBC. Drawn to the stories of marginalized voices, I shifted behind the camera at WYBE TV, earning an Emmy nomination before moving into reality television. Over the next decade, I produced and directed more than 250 episodes for networks including NBC, Showtime, and TLC, with hit series such as Trading Spaces and Ambush Makeover.​ My path eventually led to film. I wrote, directed, and produced features that reached theaters, including G.B.F. starring Megan Mullally and Mayor Cupcake with Lea Thompson. But financial realities pushed me into podcasting, and in 2014 Fox News Radio called. Since then, I’ve thrived as an entertainment reporter and cultural commentator.

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The COVID lockdown gave me the space to turn inward and write my memoir, The Fracturing: Love and Madness at the End of the Century - is a 55,000 word narrative nonfiction about how confronting the truths we bury can break us open and set us free.​
 

In 1997, I walked away from the woman I loved, repeating an old wound through patterns I could not yet see. The rupture triggered a psychic break, splitting open everything I thought I understood about connection, truth, and belonging. To survive, I built stories around her loss—stories that disguised pain as purpose.​ Years later, as a journalist questioning the public narratives I helped shape, I was forced to confront the personal myths I had built around her loss—and around love, identity, and worth. As my professional world began to fracture, so did the illusions I’d constructed to keep myself whole. What remained was the truth I had seen reflected in her eyes—and spent a lifetime avoiding.

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At its core, The Fracturing is both a love story and an inquiry into class—how it shaped my most intimate relationship and my career in journalism, and how silence in both became a substitute for connection. It’s a story about the courage it takes to face the information we most want to avoid—and the freedom that comes from finally listening.

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I am a current fellow with FAIR in the Arts, a nonpartisan network dedicated to free expression and creative excellence, and an active member of the SoCal Alliance of Braver Angels.